Quando si comincia a riflettere sulla natura dell’arte...
E va ricordato che quanto [...] si può strappare agli dèi dipende da stratagemmi, i quali non possono essere né trasmessi né appresi, perché non ci si può prendere gioco due volte allo stesso modo degli dèi.
Spero che questo spieghi la mia infatuazione (per la Nascita della tragedia di Nietzsche).
Chiedersi cosa possa essere strappato e in che modo possa essere reso disponibile – perché come un gioiello rubato di gran valore, può essere esposto solo sotto alcuni travestimenti e condizioni...
Mark Rothko, Scritti sull’arte, Donzelli ed, Roma, 2006/7, pp. 153-4.
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MACKIE MESSER by Bertolt Brecht (The Threepenny Opera) Oil on canvas
Frame Gallery 45
70 x 50
2012
WORKS PERMANENTLY AT
www.artcogallerie.it/wp/galleria-artisti/silvana-abram/ |
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voluptas in AAVV
di Silvana Abram
http://giulioperroneditore.it/node/754
a cura di Letizia Leone
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ABRAM SILVANA pages 122, 128
CAM, Catalogue of the modern art –The Italian artists from the early twentieth century to the present, n. 47, publisher by Mondadori, Italy. |
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THE DESTINY OF AN ARTIST
Silvana Abram: spiritualism in artistic abstract realism
Despite her background in humanities, thanks to tone abstraction, this artist has discovered the implementation of an unique medley whose features belong to the daily theatre of the absurd where colour light and space are continuously moving towards an unknown and permanent central point of gravity.
The canvases are widely open to the observation of fascinated eyes that fall for visual enchantment also when standing in front of a “Felix” scenario, in a unique and singular imaginative world, these are the theatrical settings of "day dreams" by Silvana Abram. This emotional charm unravels the pictorial complexity that could not be more articulated, moreover also nurtured with narrative greatness and with emphasised details that become reality in the form of colour harmonies, projections of different light hues and graceful tone modularity.
A grand framework made of abstractions, both intentional and unwanted and often evolved into different results. All this composition is dealt in a way to be light years away from any reference to post-modernism: the inner scenario is as just as you stare at it. And on the other side, the strong and clear willingness to always be only herself; the need to interpret the chromatic and visual balances is endless and perpetual (there are no signs of this endeavour in the works of Mrs Abram) to make them become “corridors” for literary-emulsified changes since the classicism of the to the atmospheres of “abstraction language”.
This given circumstance is such a rarity in the current and too harmonized artistic trend where artists frequently depict intellectual reality without interpretation or any kind of emotional research.
Silvana does not belong to this artistic movement at all as she investigates reality including every single undisputed emotional detail and including them in her masterpieces.
Donat Conenna
R A T I N G
CAREER DURATION: 20 YEARS
CREATIVE PRODUCTION
RESEARCH PARAMETER:10/20
WORK DIFF.: MARKET
EVALUATION TREND: STABLE
ART FAIR ATTENDANCE: HIGH
CRITICS APPRECIATION: HIGH
PARTICIPATION: QUALIFIED
MAIN WORKSTREAM: ABSTRACT
INVESTMENT:10/20 |
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Il tempo
trascorso per amore di un libro è magico,
perché - .................................................
.................................................................
Silvana Abram, in Erudita, Agenda 2012, Giulio Perrone Editore. |
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